Pala and Sena

 

The Pala dynasty of Bengal and the Prathihara dynasty of Malwa were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. This period, between the eighth and the 10th centuries, saw a tripartite struggle for the resources of the rich Gangetic plains, each of these three empires annexing the seat of power at Kannauj for short periods of time. At their peak the Rashtrakutas of Manyakheta ruled a vast empire stretching from the Ganges River and Yamuna River doab in the north to Kanyakumari in the south, a fruitful time of political expansion, architectural achievements and famous literary contributions. The early kings of this dynasty were influenced by Hinduism and the later kings by Jainism. During their rule, Jain mathematicians and scholars contributed important works in Kannada and Sanskrit. Amoghavarsha I, the most famous king of this dynasty wrote Kavirajamarga, a landmark literary work in the Kannada language. Architecture reached a milestone in the Dravidian style, the finest example of which is seen in the Kailasanath Temple at Ellora in modern Maharashtra. Other important contributions are the Kashivishvanatha temple and the Jain Narayana temple at Pattadakal in modern Karnataka, both of which are UNESCO World Heritage Sites.

After the fall of Shashanka's kingdom, the Bengal region was in a state of anarchy. Gopala ascended the throne as the first Pala king during these times. The Khalimpur copper plate suggests that the prakriti (people) of the region made him the king. Taranatha, writing nearly 800 years later, also writes that he was democratically elected by the people of Bengal or atleast by  a group of feudal chieftains. Such elections were quite common in contemporary societies of the region.

Gopala's empire was greatly expanded by his son Dharmapala and his grandson Devapala. Dharmapala was initially defeated by the Pratihara ruler Vatsaraja. Later, the Rashtrakuta king Dhruva defeated both Dharmapala and Vatsaraja..

Dharmapala was succeeded by his son Devapala, who is regarded as the most powerful Pala ruler. His expeditions resulted in the invasion of Pragjyotisha (present-day Assam) where the king submitted without giving a fight and the Utkala (present-day Orissa) whose king fled from his capital city. Pala Empire was divided into separate Bhuktis (Provinces). Bhuktis were divided into Vishayas (Divisions) and Mandalas (Districts). Smaller units were Khandala, Bhaga, Avritti, Chaturaka, and Pattaka. Administration covered widespread area from the grass root level to the imperial court.The Pala copperplates mention following administrative posts: Raja, Rajanyaka, Ranaka (possibly subordinate chiefs), Samanta and Mahasamanta (Vassal kings), Mahasandhi-vigrahika (Foreign minister), Duta (Head Ambassador), Rajasthaniya (Deputy), Aggaraksa (Chief guard), Sasthadhikrta (Tax collector), Chauroddharanika (Police tax), Shaulkaka (Trade tax), Dashaparadhika (Collector of penalties), Tarika (Toll collector for river crossings), Mahaksapatalika (Accountant), Jyesthakayastha (Dealing documents), Ksetrapa (Head of land use division) and Pramatr(Head of land measurements), Mahadandanayaka or Dharmadhikara (Chief justice), Mahapratihara, Dandika, Dandapashika, Dandashakti (Police forces), Khola (Secret service), Agricultural posts like Gavadhakshya (Head of dairy farms), Chhagadhyakshya (Head of goat farms), Meshadyakshya (Head of sheep farms), Mahishadyakshya (Head of Buffalo farms) and many other like Vogpati, Vishayapati, Shashtadhikruta, Dauhshashadhanika, Nakadhyakshya, Nalanda is considered one of the first great universities in recorded history. It reached its height under the Palas. Atisha was a Buddhist teacher, who helped establish the Sarma lineages of Tibetan Buddhism. The Palas were patrons of Mahayana Buddhism. Taranatha states that Gopala was a staunch Buddhist, who had built the famous monastery at Odantapuri. Dharmapala made the Buddhist philosopher Haribhadra his spiritual preceptor. He established the Vikramashila monastery and the Somapura Mahavihara. Taranatha also credits him with establishing 50 religious institutions and patronising the Buddhist author Hariibhadra. Devapala restored and enlarged the structures at Somapura Mahavihara, which also features several themes from the epics Ramayana and Mahabharata. Mahipala I also ordered construction and repairs of several sacred structures at Saranath, Nalanda and Bodh Gaya. The Mahipala geet ("songs of Mahipala"), a set of folk songs about him, are still popular in the rural areas of Bengal.

The Palas developed the Buddhist centres of learnings, such as the Vikramashila and the Nalanda universities. Nalanda, considered one of the first great universities in recorded history, reached its height under the patronage of the Palas. Noted Buddhist scholars from the Pala period include Atisha, Santaraksita, Saraha, Tilopa, Bimalamitra, Dansheel, Dansree, Jinamitra, Jnanasrimitra, Manjughosh, Muktimitra, Padmanava, Sambhogabajra, Shantarakshit, Silabhadra, Sugatasree and Virachan.

As the rulers of Gautama Buddha's land, the Palas acquired great reputation in the Buddhist world. Balaputradeva, the Sailendra king of Java, sent an ambassador to him, asking for a grant of five villages for the construction of a monastery at Nalanda. The request was granted by Devapala. He appointed the Brahmin Viradeva (of Nagarahara, present-day Jalalabad) as the head of the Nalanda monastery. The Buddhist poet Vajradatta (the author of Lokesvarashataka), was in his court. The Buddhist scholars from the Pala empire travelled from Bengal to other regions to propagate Buddhism. Atisha, for example, preached in Tibet and Sumatra, and is seen as one of the major figures in the spread of 11th-century Mahayana Buddhism. The Palas also supported the Saiva ascetics, typically the ones associated with the Golagi-Math. Narayana Pala himself established a temple of Shiva, and was present at the place of sacrifice by his Brahmin minister. Queen of King Madanapaladeva, namely Chitramatika, made a gift of land to a Brahmin named Bateswara Swami as his remuneration for chanting the Mahabharata at her request, according to the principle of the Bhumichhidranyaya. Besides the images of the Buddhist deities, the images of Vishnu, Siva and Sarasvati were also constructed during the Pala dynasty rule.

The Palas patronised several Sanskrit scholars, some of whom were their officials. The Gauda riti style of composition was developed during the Pala rule. Many Buddhist Tantric works were authored and translated during the Pala rule. Besides the Buddhist scholars mentioned in the Religion section above, Jimutavahana, Sandhyakar Nandi, Madhava-kara, Suresvara and Chakrapani Datta are some of the other notable scholars from the Pala period.

The notable Pala texts on philosophy include Agama Shastra by Gaudapada, Nyaya Kundali by Sridhar Bhatta and Karmanushthan Paddhati by Bhatta Bhavadeva.

Sandhyakar Nandi's semi-fictional epic Ramacharitam (12th century) is an important source of Pala history.*&**

The Pala school of sculptural art is recognised as a distinct phase of the Indian art, and is noted for the artistic genius of the Bengal sculptors. It is influenced by the Gupta art.

The Pala style was inherited and continued to develop under the Sena Empire. During this time, the style of sculpture changed from "Post-Gupta" to a distinctive style that was widely influential in other areas and later centuries. Deity figures became more rigid in posture, very often standing with straight legs close together, and figures were often heavily loaded with jewellery; they very often have multiple arms, a convention allowing them to hold many attributes and display mudras. The typical form for temple images is a slab with a main figure, rather over half life-size, in very high relief, surrounded by smaller attendant figures, who might have freer tribhanga poses. Critics have found the style tending towards over-elaboration. The quality of the carving is generally very high, with crisp, precise detail. In east India, facial features tend to become sharp.